The Smith family doesn't agree on much, but when their son Johnny comes home for the first time in four years, they reluctantly reconvene to celebrate the father (a failed painter) winning the Yoko Ono Lifetime Achievement Award for Non-Objective Art.
"A farce with an edge!"
The Kansas City Star
"The energy of a pinball machine, all flashing lights and erratic chimes and emotions that pivot with the stroke of a flipper... How to Steal a Picasso is unapologetically zany, but Downs finds time to toss a few telling contradictions into the fray."
Kansas City Pitch
"Amid all the crazy plot turns, Downs finds opportunities to make valid statements about our perceptions of art, delusional self-styled 'artists' and how art has lost any meaning beyond its value as a commodity."
The Kansas City Star
"How to Steal a Picasso keeps the audience laughing... It maintains its humor in what the author calls 'farcical reality' all the way through the fast two-act show that is still able to make its serious points."
Broadway World
"How to Steal a Picasso is a comedy that correctly pinpoints this era in which capitalism determines the value of art. It depicts Otto and his family crying out for true art in a world full of consumption. Their choices raise enlightened questions about the original value of art."
New Culture, Seoul Korea